The right to perform music to your customers. The subject is a recently concluded DoJ review of consent decrees, the government regulated law which compels ASCAP and BMI to license… The music licensing community was intrigued by the Dec. 21st launch of Songview, a new one-stop platform presented by performing rights organizations ASCAP and BMI … Why? BMI (Broadcast Music, Inc.) was founded by radio executives as a non-profit, and now has over 650,000 members, including Taylor Swift, Eminem, Sam Cooke, and Willie Nelson. The two organizations also differ in other ways such as payment formulas. Remember — if you use music they represent, and you don’t pay them, they may track you down (and you could be liable to them for copyright infringement damages). No more estimating for them either—the artists you play are the ones getting paid. Writers and music publishers formed the ASCAP in 1914. We have one, single payment that covers both the streaming itself as well as any necessary public performing rights. Let us handle the specifics, so you can easily and legally stream music in your place of business for a reasonable cost. But even though you might know these basic facts, performing rights is still a complicated subject! Although these two are associated with … They all have different rates, depending on the size of your premises, how you’re playing music (CD’s, streaming), how many customers you have—as well as a number of other factors. They are Broadcast Music, Inc. (BMI); American Society of Composers, Authors, and Publishers (ASCAP); and Society of European Stage Authors and Composers. In FY 2019, BMI collected $1.28 billion in revenues and distributed $1.196 billion in royalties. BMI (Broadcast Music, Inc.), ASCAP (American Society of Composers, Authors, and Publishers), and SESAC are the performance rights organizations (PROs) responsible for collecting and distributing royalties for the public performance of a musical work in the United States, as stipulated by the U.S. What’s the difference between the rights organizations? Songview is a free, publicly available, musical works data platform on ASCAP and BMI’s respective websites. It can be whether you pay quarterly or monthly, and how the PRO works out what you pay. ASCAP offers a standard one-year contract that renews automatically while BMI’s contract is for two years. BMI, or Broadcast Music Incorporated, ASCAP, or the American Society of Composers, and Authors and Publishers are companies that give performance licenses to song writers and music publishers. Anyone who plays songs publicly is required to pay royalties to the songwriter if that songwriter has indicated they desire payment and they are a member. By closing this banner you consent to use of cookies. They collect royalties on your behalf and then distribute them to you. The exact catalogue offered by a certain PRO may be more appealing to you, as a business owner, compared to another catalogue. The contract with BMI is a two-year standard deal. All Rights Reserved. Many of the most famous artists work with two or three PROs at a time, so their music can be more widely distributed. For BMI, since their percentage system is on a 200% scale, independent artists with no publishing company or record deals will put 200% into the songwriting section and 0% in the publishing. There’s a better solution.To make this as easy as possible for business owners, Cloud Cover Music works with several major PROs while also providing your technological access to a large catalogue. Last year the Department of Justice signaled that it may no longer support maintaining the consent decrees. Yet with the marketplace becoming only more complex, with new digital services and rival performance rights organizations, the debate over music licensing is far from over. SESAC vs BMI and SESAC vs ASCAP. ASCAP. What Is a Performing Rights Organization? In the North American region, there are four major PROs, three of which work largely in the United States market. ASCAP and BMI, along with some songwriters and publishers, favor this approach because it allows the PROs to grant a partial license to works with multiple ownership where the songwriter or publisher owners affiliated with the PRO lack the ability to grant a license to the entire work. The JLO offers a license which provides total access to all songs in the ASCAP, BMI and SESAC repertories. New York – (July 26, 2017) – ASCAP and BMI, the nation’s two leading performing rights organizations, have joined forces to create a single, comprehensive database of musical works from their combined repertories that will deliver an authoritative view of ownership shares in the vast majority of music licensed in the United States. They are Broadcast Music, Inc. (BMI); American Society of Composers, Authors, and Publishers (ASCAP); and Society of European Stage Authors and Composers. Heather McDonald. Eliminating the decrees would dramatically alter music licensing in … While there may be one performer or one band performing a specific song, there could be as many as 10 people behind the scenes, writing lyrics and music notes. Not necessarily, but you’d have to be very specific when it comes to how you use music in your business. In fact, to make things even more complex, the number of PROs in the U.S. is clearly expanding. The money works out the same between BMI and ASCAP, just the percentages they use are different. This is more than theory or speculation. It is a first of its kind partnership that will present a consistent view of ASCAP and BMI’s repertory data, providing a more detailed look at song ownership information from the country’s two largest performing rights organizations. Updated October 11, 2019. BMI is a corporation owned by the broadcasting industry. 999 North Pacific Coast Highway, Suite 500. BMI is in the same range. This means it is important to pay for access to all three of these major PROs. Cloud Cover Music Is Your Music Copyright Solution Without Stress, A performing rights organization (PRO) helps. These payments are called a performance royalty. Together, ASCAP and BMI provide a license to broadcasters and other music users (including any business that performs music to the public, such as bars and restaurants, retail stores, digital music services, concert venues, hotels and so many other locations). American Society of Composers, Authors and Publishers (ASCAP) Broadcast Music Inc (BMI) Society of European Stage Authors and Composers (SESAC) Global Music Rights (GMR) What’s the difference between the rights organizations? BMI, ASCAP, and SESAC are all performing rights organizations, where business owners can license music to play in their businesses. Even the number of speakers is sometimes used. ASCAP (American Society of Composers, Authors and Publishers) and BMI (Broadcast Music, Inc.) often called the “Coke and Pepsi” of performing rights organizations, will both tell you it is irrational not to join one of their organizations. 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