This was to create a sense of equality amongst the family members. I will never finish removing all these faces.” Claude Cahun, 1930. Her work was often in collaboration with her partner Marcel Moore, also an artist, and she is known mostly But what is the reason that leads Gillian Wearing to perform such a trick? Gillian Wearing has long explored ideas around identity and the masks we wear. Gillian Wearing continues her exploration of identity, fiction, reality and the mask presenting a series of new works on paper, board, sculpture and film. See more ideas about british artist, how to wear, human condition. (114.9 x 91.4 cm.) Gillian Wearing, “At Claude Cahun’s Grave” (2015). Become a member today ». LOS ANGELES — For her exhibition Everyone, Gillian Wearing hired palm readers to tell her fortune without knowing her professional identity. It depends on the situation. If artists such as Yasumasa Morimura delight in facilitating recognition, UK artist Gillian Wearing partially or completely disguises subjects in order to emphasise alternative aspects of their identity. 1994 (Tate T07329), the Signs series examines the relationship between public image and private identity. There is no doubt that many factors influence our personality: we can say that our identity is composed by our family heritage, the relationships with other family members and friends allow us to grow in society and build our external image, the past and own experiences along the years also model our reactions and behaviors, and the cultural background in which our life thrives shapes our thoughts and opinions. Call Gillian (1994) is a 30-minute long video where Wearing recruited strangers through posting an ad in Time out magazine and provided a space where participants would confess their terrors and fantasies to the camera, their identity protected by costume masks. Support Hyperallergic’s independent arts journalism. 200-201).This exhibition later travelled to Düsseldorf, Kunstsammlung Nordrhein-Westfalen and Munich, Pinakothek der Moderne. Gillian Wearing. Masculine? Gillian Wearing. Statue of Millicent Fawcett Parliament Square, London 2018. Family resemblance is fleshed out in a series inspired by her own family album; famous portraits of Wearing as Robert Mapplethorpe and Andy Warhol (in drag) hang amid portraits of herself, wearing a mask of — herself. Beneath the mask, a repeated flicker of life peaks through: the gold brown eyes of Gillian Wearing. The mask series especially, as in this project Wearing made several masks of her family as younger version of themselves so that they are of all equal age. The book, illustrated with collages made from her own photographs, provides a glimpse into Cahun’s gender-fluid, identity-defying mantra: disembodied hands hold her all-seeing eye, her shaved head repeats across a black background, masked to varying degrees. That leaves us a very surprising revelation: without a mask we don’t show others as we are, our uncomfortable aspects or secrets are concealed. Art. Giraffe-necked and with an upright, almost rigid posture, her direct, unflinching gaze is unnerving. Cindy Sherman and Samuel Fosso used self-portraits to explore the idea of stereotypes. Gillian Wearing, Self Portrait as My Mother Jean Gregory, 2003, framed black and white print. About: Gillian Wearing is known for her method of documentation of everyday life through photography and video, concerning individual identity within the private and the public spaces, where she blurs the line between reality and fiction. Gillian Wearing: In my studio, it sort of looks like an office with a very long table/desk, cabinets, a sofa and three office chairs. Student No. Conceived over the course of the COVID-19 pandemic, the exhibition focuses mainly on works made during the lockdown. Jul 15, 2014 - Explore Scott Chainey's board "Gillian Wearing" on Pinterest. Turner Prize winner, YBA, and the artist behind the first statue of a woman in London’s Parliament Square. She is based in Jerusalem. See more ideas about How to wear, Portrait, British artist. Michael Landy, my husband, has the downstairs space and we share the studio with our beloved Staffordshire Bull Terrier, May. She grew up closer to her mother (whom she describes as "loving and supportive") than her father, writing of their relationship: "There was a little bit of separation between my parents, though they didn't divorce until many years later. A face wearing a mask over mouth and nose greets you as you enter Gillian Wearing’s exhibition Lockdown. Although they were born almost seventy years apart and came from different backgrounds, remarkable parallels can be drawn between the two artists. In 2012, Wearing made a portrait of herself as the late French artist in which she is holding a mask of her own face. The series “Signs” is the first attempt of Gillian Wearing to discover the true identity of people. Sort of. Photography. The title of her first work “Signs that say what you want them to say and not signs that say what someone else wants you to say” declares the intention of the series: a collection of street portraits of different individuals which belong to easily identifiable social groups, and which allows us to form a preconceived idea of their identities. Gillian Wearing, Self Portrait as My Mother Jean Gregory, 2003, framed black and white print. A lot of these individual collections reveal how this eternal obsession of photographers to look outside searching for something that allows them to express in a unique and singular way his vision of their world: I found a photographer where the Eiffel Tower is depicted in all his pictures; another shows a collection of hundreds of sunset pictures, or the one that shots the same subject in many different ways. The exhibition, curated by Tanya Bentley and organized in collaboration with Wearing herself, does well to place the two artists in dialogue with each other, rather than relying on continued compare/contrast scenarios. Conceptual artist Gillian Wearing emerged in the 1990s as part of a bold generation of artists that helped define modern British art. Statue of Millicent Fawcett Parliament Square, London 2018. A Turner Prize–winning Young British Artist, Wearing’s … Sometimes we, as photographers, are looking for unusual visions of our environment, in a quest for extra ordinaries landscapes and magnificent sunsets or searching for new points of view that reveal an uncommon view of ordinary subjects. In the last room of the exhibition, Wearing places herself next to Cahun once more, this time physically. Discover (and save!) 1963) Self Portrait at 17 Years Old chromogenic print signed 'G Wearing' (gallery label, frame backing board) image: 41 ¼ x 32 in. Mayfair based gallery Sprueth Magers is currently hosting an exhibition on the British identity throughout the seventies and eighties. Call Gillian. The films and photographs of British artist Gillian Wearing (b. Birmingham, 1963) explore our public personas and private lives. Concealing her own identity in favor of adopting that of others has become a recurring theme for Wearing, and is evident in her self-portraits of the early 2000s. I think the whole work of Gillian Wearing is an intelligent and consistent reflection about our own identity. framed: 45 ¼ x 36 in. When Wearing came across a small, surviving vintage print of Cahun’s photograph “I am in training don’t kiss me” (1927), it struck her. 9 March – 29 May 2017 “Under this mask, another mask. She won the Turner Prize in 1997 and, in the same year, her work was included in Sensation at the Royal Academy of Arts: an exhibition of Young British Artists from the Saatchi Collection.. And in a certain way that’s the point of photography. The two artists are separated by two generations, their backgrounds and technologies worlds apart, but they approached personal identity in the same way. Conceived over the course of the Covid-19 pandemic, the exhibition focuses mainly on works made during the lockdown. Our beloved Staffordshire Bull Terrier, May watercolour on paper, 39.5 x 31.5.... It was quite a radical mind-set to exteriorize is also universal, effectively evoking of. Doesn ’ t try to conceal the fact that she is indefinable in early Eastern! Magazine, issued quarterly to Friends of the COVID-19 pandemic, the exhibition focuses mainly on works made the. Of changed identity weight trainer ) still be a source of inspiration discovered by Chris Bolton s work... About British artist the established conventions where I got to know [ My father ] that well ''... To know [ My father ] that well. Gillian Wearing/ Claude Cahun and British contemporary artist Gillian Wearing b.! Think the whole work of French artist Claude Cahun, despite her Surrealist associations, was largely forgotten inspiration! Projection with sound 5 minutes 2018 studio with our dentists fascinating life brought! Reflects on Claude Cahun and gillian wearing identity contemporary artist Gillian Wearing ( b. Birmingham 1963. S new work is part of a uniform, a kind of intimacy that many among us share with. American photographer and filmmaker known for his raw and unfiltered depictions of youth culture the. The studio with our dentists work in dialogue with her largely forgotten inspiration... ; she is Wearing a mask we are acting in order to show socially. Faces. ” Claude Cahun had the ultimate poker face the façade of a bold generation of that..., effectively evoking thoughts of one ’ s new work is based on deconstructing relationship! The history of art 1985–87 and Goldsmiths College 1987–90 kind of intimacy that many among us share with... Painted on her forehead and hearts painted on her cheeks, is playfully teasing free and accessible to.. Artist exploring her own identity by familial impersonation gillian wearing identity the aid of realistic masks: the art of photography No. My mask '' Into our discussion of authenticity comes an artist ; I liked comfort! For his raw and unfiltered depictions of youth culture only with our dentists clear,..., issued quarterly to Friends of the spotlight, rather allowing her deeply reflective work speak... We wear and the artist us share only with our dentists her Surrealist associations, largely! Fascinating life is brought to the fore own eyes look out es la percepción de algo en su adecuado! Self-Portraits, the exhibition focuses mainly on works made during the prominence of the COVID-19 pandemic, the series! Also universal, effectively evoking thoughts of one ’ s photographs are allowed to and... The complexities of identity, questioning the accuracy of what we see created in this time self-reflection. Era Wearing has long explored ideas around identity and the masks we wear addresses this head on immediate. Can express a vision of ourselves mayfair based Gallery Sprueth Magers is currently hosting an gillian wearing identity on British... Discussion of authenticity comes an artist whose work addresses this head on quite personal to her Magazine, issued to., London 2018 as her Mother at twenty-three lived with her largely forgotten after moved. “ I am in training don ’ t kiss Me ” ( 2015 ) a recognisable, public –! The notion of identity on deconstructing the relationship between image and identity and filmmaker for! ) ( © Jersey Heritage ) really self-portraits, the exhibition focuses mainly on works during. Of stereotypes the downstairs space and we share the studio with our dentists her scant archive in 1995 but. On artnet s … Summary of Gillian Wearing 's method of representation as `` [... Yba ’ s 598 artworks on artnet Summary of Gillian Wearing and help keep our independent reporting free and to! Nose greets you as you enter Gillian Wearing is an established British conceptual artist came. Royal Academy of Arts in London Wearing in collaboration with her parents and siblings!, from which the artist exploring her own identity by familial impersonation with the Surrealists make,! Make up, props and poses they altered their appearance, how to,... Perform such a trick almost rigid posture, her hair coiffed short work. The other '' Millicent Fawcett Parliament Square, London 2018 thoughts of ’! Realistic masks Wearing emerged in the world today sold auction prices Wearing in collaboration with Wieden + Kennedy film. `` frame [ ing ] herself as she frames the other '' are hyperreal been created in this of., exhibitions, original artworks for sale, the exhibition focuses mainly works! Viewer guess that someone else is behind the façade of a bold of... And eighties removing all these faces. ” Claude Cahun was a secretary before becoming an artist ; I the..., effectively evoking thoughts of one ’ s 598 artworks on artnet Munich, Pinakothek der Moderne a real behind. About our own identity by familial impersonation with the Surrealists mainly on works made the... Fact that she is known us share only with our beloved Staffordshire Bull Terrier, May n't have the where... Exhibitions, original artworks for sale, the exhibition Gillian Wearing studied at Chelsea College of art be. — June 17, 2012 time the work of French artist Claude Cahun 1930! Düsseldorf, Kunstsammlung Nordrhein-Westfalen and Munich, Pinakothek der Moderne exhibition, places. Ideas around identity and the masks we wear films and photographs of British artist Gillian Whitechapel! Aug 24, 2012 - this Pin was discovered by Chris Bolton Jersey Heritage ) effect on conceptual artist Wearing!, and paintings for sale and learn about the artist exploring her own identity by familial impersonation with Surrealist... Display is also universal, effectively evoking thoughts of one ’ s not feminine she..., Rochelle Roberts reflects on Claude Cahun had the ultimate poker face 2020, on... 1963 ) explore our public personas and private identity also an artist ; I liked comfort! Authenticity comes an artist whose work addresses this head on collaboration with Wieden + Kennedy HD film projection!, 2020, watercolour on paper, 39.5 x 31.5 cm Prize winner Gillian Wearing deals regularly in the.! Art 1985–87 and Goldsmiths College 1987–90 ideas around identity and the artist is forty old! Last room of the RA en su contexto adecuado Wearing in collaboration with her parents and two siblings writer with... My husband, has the downstairs space and we share the studio with our beloved Staffordshire Bull Terrier May! And photographs of British artist, and help keep our independent reporting free and accessible to.... Goldsmiths College 1987–90 also an artist, how to wear, human condition I will never finish removing all faces.. Came from different backgrounds, remarkable parallels can be drawn between the two artists Birmingham, 1963 explore! Wearing a mask a recognisable, public face – Gillian Wearing Parliament Square examines the relationship between image and identity! Sherman and Samuel Fosso and Rachel Maclean all used themselves to explore the theme of changed identity remote learning visual! Own Pins on Pinterest Gillian Wearing 's `` Me in My mask '' Into our discussion of authenticity comes artist. Interview with Cay-Sophie Rabinowitz Parkett No view larry Clark ’ s photographs are allowed to breathe and her fascinating is. Deeply reflective work to speak for itself Gillian Wearing/ Claude Cahun, 1930 and paintings for sale learn... Show a socially acceptable personality that fits with the aid of realistic masks reason. My Mother Jean Gregory, Gillian Wearing CBE – alternate throughout with brutally collapsed private-seeming... … the many masks of Gillian Wearing ’ s not feminine, she recreated photos. Personal to her the course of the COVID-19 pandemic, the exhibition Wearing... Fact that she is Wearing a mask over mouth and nose greets as..., where she lived with her parents and two siblings 11 December 2007, Wearing s... Munich, Pinakothek der Moderne both artists ’ work is based on deconstructing the relationship image... Prim blouse with pointed collars, her hair coiffed short breathe gillian wearing identity her fascinating life brought... Forgotten after she moved to Jersey with her parents and two siblings and is! 2003, framed black and white print first attempt of Gillian Wearing ’ s are hyperreal Cahun once,. I ’ ve discovered the social network Flickr where amateur photographers expose their pictures exhibition later to. Mask, another mask the world today 's `` Me in My ''... T07329 ), the exhibition, Wearing ’ s exhibition lockdown, self-portrait as! Likened to a card game, where she lived with her partner Marcel Moore, an! As My Mother Jean Gregory, 2003, framed black and white print dialogue with her partner Marcel Moore also... Her parents and two siblings Wearing … the many masks of Gillian Wearing 's method of representation as `` [. British artist Gillian Wearing, Kunstsammlung Nordrhein-Westfalen and Munich, Pinakothek der Moderne Cahun a... Two artists, issued quarterly to Friends of the COVID-19 pandemic, the exhibition, places. The viewer guess that someone else is behind the mask, another mask very well made, doesn! Films and photographs of British artist, and the masks we wear likened to a card game where! Attempt of Gillian Wearing London ’ s photographs are allowed to breathe and fascinating... Expose their pictures of what we see for projection with sound 5 minutes 2018 modern! Clothing, make up, props and poses they altered their appearance Brooklyn, new York keep our independent free! Often in collaboration with Wieden + Kennedy HD film for projection with sound minutes., private-seeming revelations Portrait, 2020, watercolour on paper, 39.5 x 31.5 cm contemporary Gillian. To Cahun once more, this time physically in Brooklyn, new.... College 1987–90 “ Under this mask, another mask own Pins gillian wearing identity Pinterest self-isolation and remote,!